Comment c'est fait.

References:
@image1 = Olivia (22, septum ring, hair pulled back) in pre-launch travel-issue per CHAR ref — her face through a round porthole, lit warm from inside
@image2 = composite junction plate (the LAYOUT) — the gangway from outside, the liaison shuttle on its LEFT end, the gargantuan Pathfinder's hull on its RIGHT end, round portholes, Olivia small behind one
@image3 = the liaison shuttle — substantial multi-deck crew ship, broad streamlined primary hull, twin raised dorsal pods, heavy working-ship plating (the full ship that grows in on the left)
@image4 = the gargantuan Pathfinder — the WHOLE colossal city-scale ring-hull starship, running lights, deep structure (fills the frame at the END)

Subject: HERO — the FULL scale reveal through Olivia, ONE continuous shot. Open tight on her face in a gangway porthole, then pull back FAST and never stop: the small shuttle comes fully into frame on the LEFT first, then the camera keeps going until the ENTIRE gargantuan Pathfinder fills the frame and the shuttle + gangway are a barely-visible speck. No cut; never crosses the glass.

0–3s: tight on Olivia's face through the round gangway porthole, seen from OUTSIDE in space, lit warm from inside; she looks out; the camera starts pulling back fast; deep-space black around the glass.
3–7s: the porthole becomes one of a row along the gangway (cadets moving past behind the glass); to the LEFT the small docked liaison shuttle comes FULLY into frame first (broad hull, twin raised dorsal pods); the Pathfinder's hull begins to loom huge on the RIGHT.
7–11s: the camera keeps retreating; the shuttle and gangway shrink toward the lower-left as more and more of the colossal Pathfinder sweeps in, its ring-hull and running lights resolving city-scale.
11–15s: the pull completes — the ENTIRE gargantuan Pathfinder fills the frame edge-to-edge; the shuttle, gangway and Olivia's window now a tiny speck on it; the sub-bass scale swell lands; hold; cut.

Camera: ONE continuous fast/accelerating pull-back from the tight porthole ALL THE WAY OUT to the whole Pathfinder filling the frame — a single unbroken dolly-out, never stopping at an intermediate wide, never crossing the glass.
Style: photoreal cinematic sci-fi, Interstellar / Star-Trek awe-scale, sleek high-tech Star Trek plating-and-greebles realism (advanced, lived-in, photoreal); the scale lands through the human in the window.
Lighting: warm interior glow in the porthole at the open; hard sun on the sunward hulls, cool Earth-blue bounce on shadowed faces; running lights across the Pathfinder; deep-space black.
Audio: muffled ship hum and Olivia's soft breath at the open; no dialogue; a deep sub-bass swell building into the full reveal; no music.
Constraints: ONE single unbroken pull-back — NO cut, cross-dissolve, transition, or jump; the Pathfinder grows ONLY because the camera physically retreats, not by a scene change; do NOT stop at an intermediate framing — continue ALL THE WAY OUT until the ENTIRE Pathfinder fills the frame and the shuttle + gangway are a barely-visible speck; pass smoothly through the midpoint (shuttle small lower-left, Pathfinder hull filling the rest); never cross the glass, no through-window morph; LAYOUT per @image2 — shuttle (@image3) LEFT, Pathfinder (@image4) RIGHT, don't swap or blend; the shuttle stays a SUBSTANTIAL multi-deck vessel, NOT a 4-person shuttle; consistent face on Olivia; realistic scale + lighting, no warped geometry, no text/logos; Audio On.

References:
@image1 = Olivia (22, septum ring, hair pulled back) in pre-launch travel-issue per CHAR ref — her face through a round porthole, lit warm from inside
@image2 = composite junction plate (the LAYOUT) — the gangway from outside, the liaison shuttle on its LEFT end, the gargantuan Pathfinder's hull on its RIGHT end, round portholes, Olivia small behind one
@image3 = the liaison shuttle — substantial multi-deck crew ship, broad streamlined primary hull, twin raised dorsal pods, heavy working-ship plating (the full ship that grows in on the left)
@image4 = the gargantuan Pathfinder — the WHOLE colossal city-scale ring-hull starship, running lights, deep structure (fills the frame at the END)

Subject: HERO — the FULL scale reveal through Olivia, ONE continuous shot. Open tight on her face in a gangway porthole, then pull back FAST and never stop: the small shuttle comes fully into frame on the LEFT first, then the camera keeps going until the ENTIRE gargantuan Pathfinder fills the frame and the shuttle + gangway are a barely-visible speck. No cut; never crosses the glass.

0–3s: tight on Olivia's face through the round gangway porthole, seen from OUTSIDE in space, lit warm from inside; she looks out; the camera starts pulling back fast; deep-space black around the glass.
3–7s: the porthole becomes one of a row along the gangway (cadets moving past behind the glass); to the LEFT the small docked liaison shuttle comes FULLY into frame first (broad hull, twin raised dorsal pods); the Pathfinder's hull begins to loom huge on the RIGHT.
7–11s: the camera keeps retreating; the shuttle and gangway shrink toward the lower-left as more and more of the colossal Pathfinder sweeps in, its ring-hull and running lights resolving city-scale.
11–15s: the pull completes — the ENTIRE gargantuan Pathfinder fills the frame edge-to-edge; the shuttle, gangway and Olivia's window now a tiny speck on it; the sub-bass scale swell lands; hold; cut.

Camera: ONE continuous fast/accelerating pull-back from the tight porthole ALL THE WAY OUT to the whole Pathfinder filling the frame — a single unbroken dolly-out, never stopping at an intermediate wide, never crossing the glass.

Style: photoreal cinematic sci-fi, Interstellar / Star-Trek awe-scale, sleek high-tech Star Trek plating-and-greebles realism (advanced, lived-in, photoreal); the scale lands through the human in the window.

Lighting: warm interior glow in the porthole at the open; hard sun on the sunward hulls, cool Earth-blue bounce on shadowed faces; running lights across the Pathfinder; deep-space black.

Audio: muffled ship hum and Olivia's soft breath at the open; no dialogue; a deep sub-bass swell building into the full reveal; no music.

Constraints: ONE single unbroken pull-back — NO cut, cross-dissolve, transition, or jump; the Pathfinder grows ONLY because the camera physically retreats, not by a scene change; do NOT stop at an intermediate framing — continue ALL THE WAY OUT until the ENTIRE Pathfinder fills the frame and the shuttle + gangway are a barely-visible speck; pass smoothly through the midpoint (shuttle small lower-left, Pathfinder hull filling the rest); never cross the glass, no through-window morph; LAYOUT per @image2 — shuttle (@image3) LEFT, Pathfinder (@image4) RIGHT, don't swap or blend; the shuttle stays a SUBSTANTIAL multi-deck vessel, NOT a 4-person shuttle; consistent face on Olivia; realistic scale + lighting, no warped geometry, no text/logos; Audio On.